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1 2 3 etc., 2021
polystyrene ceiling tiles
2 x 14 x 0,1 m




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Ochumelaya Vystavka (The Fine Hands Show)
curated by Thibaut de Ruyter (Berlin), with the assistance of Anastasiya Bezvershuk (Krasnoyarsk).

34 Artworks Invented in Berlin and Made in Siberia:

Artists (Berlin): Alisa Berger, BIEST, Barbara Breitenfellner, Kaan Bulak, Lou Cantor, Martin Dammann, Tobias Dostal, Cécile Dupaquier, William Engelen, Simon Faithfull, Friederike Feldmann, Katia Fouquet, Zohar Fraiman, Claudio Gobbi, Olaf Holzapfel, Brendan Howell, Rolf Julius, Robert Lippok, Maru Mushtrieva, Agnes Meyer-Brandis, Ulrike Mohr, Olaf Nicolai, An Paenhuysen, Albrecht Pischel, TimPlamper, Marie Rief, Maya Schweizer, Heidi Specker, Tim Tetzner, Albert Weis, Felix Leon Westner, Vadim Zakharov, Gloria Zein, Tobias Zielony

Ochumelaya Vystavka — The Fine Hands Show is an exhibition of works conceived by 34 international artists in Berlin and implemented by more than one hundred producers in Krasnoyarsk (Siberia) based on their instructions. Through its remote production process, the exhibition acknowledges the realities of art-making since the invention of the ready-made at the start of the twentieth century and the rise of conceptual practices in the 1970s. But although modern art revolutionised the way art is made by postulating that conceiver and producer need not be identical, many museumgoers still perceive the works on display as unique, handmade objects.
In a nod to the 1971 exhibition Pier 18 at the Museum of Modern Art in New York – in which photographer Harry Shunk ‘acted out’ the works on the participants’ instructions – we asked artists from various disciplines, including painting, sound and video art, sculpture, fashion design, and photography, to formulate directions for the production of an artwork. Each provided one to ten standard pages of more or less detailed, more or less poetic, more or less feasible instructions. The makers in Krasnoyarsk, including artists, craftsmen and laypeople, in turn used the assignments as an opportunity to showcase their personal abilities and explore new techniques.
A playful and skilful exhibition that reflects on transmission, copyright and authorship, Ochumelaya Vystavka — The Fine Hands Show is also a tongue-in- cheek commentary on the vagaries of international exhibitions in an age of global travel restrictions and reduced carbon emissions.

Initiated by Per Brandt, Director of the Goethe-Institut Novosibirsk, and Sergey Kovalevsky, Acting Director of the Museum Centre ‘Ploshchad Mira’.
Organised by the German Embassy in Moscow, the Goethe-Institut and the Russian-German Chamber of Commerce.

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Exhibition views, “Ochumelaya Vystavka”
Museum Сentre ‘Ploshchad Mira’, 14th Krasnoyarsk Biennale (RU)
photos: Aleksey Myslitky

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